10 Movies ONLY MADE In Response To Film Critics

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Films are made for many, many reasons – usually for the money, sometimes out of sheer love of the art, and sometimes because the people involved want to deliver a quick cinematic response to critics.

Most of these 10 films were born out of frustration, with the filmmaker exasperated by the critical response to one of his previous films and ultimately using his new project as a mouthpiece to vent his anger.

It could be a director subtly alleging his experiences with critics, making a film that directly responds to criticisms leveled against his previous work, or perhaps abandoning all subtlety and literally making the big bad movie critic a bad guy in his new movie.

The results, unsurprisingly, varied: some films were insightful enough to be embraced by critics, while others seemed petty or childish.

In a few instances, the filmmakers simply made their film in response to their detractors rather than ostensibly calling them out, though the subtext is nonetheless quite obvious.

For better or worse, these films only came about because the actors wanted to send a message to critics…

After releasing three blockbuster films between 2008 and 2011 – two films Iron Man and Cowboys and Aliens – director Jon Favreau decided to take a break from big-budget cinema to work on a smaller, more personal project.

The result was Chef, an $11 million comedy-drama in which Favreau plays a chef who, after a public run-in with a food critic, loses his job at a popular restaurant and decides to run his own food truck.

The film’s narrative and themes are very clearly inspired by Favreau’s own experiences in Hollywood, particularly during the production of Iron Man 2 in 2010.

Although the superhero sequel was widely praised by critics, it was almost universally accepted as inferior to the 2008 original, with some commentators suggesting that Favreau had fundamentally lost his voice amid the demands of a universe booming.

This was backed up by post-release reports that the film began shooting with only a rough script in place and Favreau was a constant victim of management interference throughout production.

And so, it doesn’t take a genius to figure out that Chef is essentially a film as therapy for the director – he manages to vent cathartically on Iron Man 2 in a thinly veiled allegory set in the music industry. restoration.

Appropriately enough, Chef received rave reviews, and Favreau’s career only skyrocketed in the years that followed.

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